“I
had always been a backstage guy,” Geithner writes by way of general
explanation, but referring specifically to his first, spectacularly
unsuccessful, public speech as Treasury secretary. “I had spent my
career behind the scenes. Ever since high school, I had dreaded public
speaking. . . . I swayed back and forth, like an unhappy passenger on an
unsteady ship. I kept peering around the teleprompter to look directly
at the audience, which apparently made me look shifty; one commentator
said I looked like a shoplifter. My voice wavered. I tried to sound
forceful, but I just sounded like someone trying to sound forceful.”
Geithner
is clearly more at ease, and more himself, on the page than on the
stage or the screen — which is, for an American public figure, both odd
and charming. So much so that I finished his book half wishing he had
just skipped all of the public performances required of him as Treasury
secretary and instead written out what he had to say and handed it to an
actor — say, Denzel Washington — to perform. “Stress Test” has
surprising virtues — for instance, the skill with which Geithner draws
his hard-to-describe main character. He thinks of himself — and on the
evidence it’s hard to disagree with him — as a fairly ordinary person
thrust into a great many extraordinary situations. His mother was a
card-carrying liberal; his father a Republican who spent his career
working in nonprofits in poor countries, and who voted for Mitt Romney
in 2012 while his son was still in the Obama administration. The future
Treasury secretary grew up everywhere and nowhere, a bit like a military
brat, and came away from his childhood with a certain detachment from
the American way of life: “At a local supermarket in suburban Virginia
one summer, I was stunned to see an entire aisle stocked with pet food.
It seemed bizarre in a world full of starving people.”
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